Comparative Analysis of Sound Response from Simple and Fuzzy  Algorithm in Saron Virtual Reality

Ayub Her Pracoyo; Clara Hetty Primasari; Albertus Joko Santoso; Thomas Adi Purnomo Sidhi; Yohanes Priadi Wibisono; Djoko Budiyanto Setyohadi

doi:10.24002/jbi.v14i01.6612

Authors

Ayub Her Pracoyo Program Studi Informatika, Universitas Atma Jaya Yogyakarta
Clara Hetty Primasari Program Studi Sistem Informasi, Universitas Atma Jaya Yogyakarta
Albertus Joko Santoso Program Studi Informatika, Universitas Atma Jaya Yogyakarta
Thomas Adi Purnomo Sidhi Program Studi Informatika, Universitas Atma Jaya Yogyakarta
Yohanes Priadi Wibisono Program Studi Sistem Informasi, Universitas Atma Jaya Yogyakarta
Djoko Budiyanto Setyohadi Program Studi Informatika, Universitas Atma Jaya Yogyakarta

DOI:

https://doi.org/10.24002/jbi.v14i01.6612

Keywords:

suara, gamelan, Saron, dinamika, fuzzy, sound, gamelan, Saron, dynamics, fuzzy

Abstract

Virtual reality games with musical instruments require a dynamic sound response because playing the instrument requires real human feelings. A good sound in a game depends on its suitability for the game situation. Time and place limitations are a problem in recording variations in sound sample recording. If the sound samples taken are limited and a simple algorithm is applied, it may sound repetitive and not match the dynamics of music according to real human life. Therefore, in this study, a comparison of a simple algorithm with the fuzzy algorithm was carried out in the Gamelan Saron game. The data processing method used is a comparative analysis obtained from the experimental results of the respondents. On the agreement scale of one to five, most respondents agree that there is a better significant change after being given a fuzzy algorithm described by a mean value of 4.1.

Keywords: sound, gamelan, Saron, dynamics, fuzzy

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