ANALOGI MUSIK-ARSITEKTUR MELALUI PROSES TRANSFORMASI PADA SIMULASI PERLUASAN GEREJA KATEDRAL BOGOR
DOI:
https://doi.org/10.24002/jars.v10i1.1054Keywords:
interpretasi konseptual, analogi dalam Arsitektur, unsur-unsur musikal, metoda superimposisi, conceptual interpretation, analogy in Architecture, musical elements, superimposition methodAbstract
The selection of appropriate approaches for specific design project is the most creative step in a design process. In the recent research report (Herliana 2010), the approach which is derived from auditorial sensation through a conceptual interpretation of the characteristics of liturgical music in the Catholic Church explores the analogy of the musical composition elements and the architectural elements of design. The aim of this study is to implement the interpretation of the analogous of musical composition elements to the simulation in designing the extension of Cathedral Church in Bogor. The synthetic process explores a new configuration pattern of form and space - through the superimposition method of site-pattern interpretation and sound-pattern interpretation - to create a new order. The result is the re-arrangement of the form and space configuration through the process of creating “musical composition” in site, such as maintaining the hierarchy of site and the building structure, creating melodies, elaborating modulations, giving the ornaments, adding accents, and making rhyme; by strengthening dominant patterns and weakening sub-dominant patterns.
Keywords: conceptual interpretation, analogy in Architecture, musical elements, superimposition method
Abstrak: Proses pencarian dan pemilihan pendekatan yang paling tepat untuk suatu kasus proyek yang spesifik adalah tahap yang memerlukan kreatifitas dan paling menentukan di dalam proses merancang. Pada artikel hasil penelitian penulis (Herliana 2010), telah disebutkan mengenai pendekatan yang bersumber dari sensasi bunyi melalui interpretasi konseptual karakteristik musik liturgi pada Gereja Katolik untuk merumuskan analog dari unsur-unsur komposisi musikal terhadap unsur-unsur arsitektural pada perancangan perluasan Gereja Katedral. Tulisan yang merupakan hasil penelitian mengenai proses desain ini bertujuan untuk menerapkan analog-analog dari unsur komposisi musikal pada simulasi perancangan perluasan bangunan Gereja Katedral di Bogor. Proses sintesis dilakukan dengan mencari konfigurasi ruang dan bentuk yang baru melalui metoda superimposisi dari interpretasi pola lahan dan interpretasi pola bunyi yang terjadi pada lahan untuk menciptakan keteraturan. Hasilnya adalah penataan ulang terhadap konfigurasi ruang dan bentuk melalui proses menciptakan “komposisi musikal” pada lahan, seperti dengan mempertahankan hirarki ruang pada struktur bangunan dan “site”, pembentukan melodi, pengolahan modulasi, pemberian ornamen, menambahkan aksen, dan membuat syair; dengan memperkuat pola yang dominan.
Kata kunci: interpretasi konseptual, analogi dalam Arsitektur, unsur-unsur musikal, metoda superimposisiReferences
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