This research aims to describe and analyze: (1) the forms of local cultural practices in Dusun Tutup Ngisor; (2) art as social capital and social capital as art within local cultural practices; and (3) the accumulation of social capital based on network structures through local cultural practices centered on performing arts.

In conducting this study, the author employed a qualitative descriptive research method. Primary data were collected through interviews with several key actors in Dusun Tutup Ngisor. In addition to interviews, Focus Group Discussions (FGDs) were carried out with local residents, alongside active participation in community activities. Secondary data were obtained through literature reviews in libraries and online sources. The collected data were then analyzed using data categorization and a triangulation process. Furthermore, in mapping the social network, the author applied sociometric analysis methods.

The findings of this research reveal that: (1) the forms of local cultural practices in Dusun Tutup Ngisor include mandatory performances held four times a year, offerings (sesaji), the Dewi Sri performance, and the Friday night gamelan show; (2) these local cultural practices develop due to the strength of social capital and network structures involving government institutions, churches, schools, media, and art communities; and (3) the forms of social capital identified include participation, group cooperation, social norms, trust, and reciprocity.

Keywords: Art, Local Culture, Network Structure, Social Capital